Cholesterol Jones – Satan’s in Heaven

Cholesterol Jones, an artist with a winning name and a winning mentality. Not for Cholesterol the by-numbers acoustic indie gravy train – instead, his sound is somewhere vaguely near country, folk and alt-pop, as likely to have sprung from 1965 as 2017…and all the better for it.

Taken from the EP of the same name, “Satan’s in Heaven” is a somewhat tongue-in-cheek dig at Donald Trump and his supporters, though that undermines the deftness of the musical content. The accompanying video is an artistic triumph, the perfect mixture of dayglo laughs and acerbic criticism.

Cholesterol was born on a US army base in Bavaria before moving to Boston, where he spent his formative years. After a period of twenty years living in New York City, he now splits his time between London, Boston and Cape Cod, his observations of the world around him keener than ever. Drawing on influences including Dwight Yoakam and Johnny Cash, there are also elements of the more eclectic end of the popular music spectrum – dashes of Squeeze; splashes of Luna; portions of They Might be Giants. Clever lyrically but with hooks galore.

Cholesterol has played live at such legendary venues as LA’s Whiskey-A-Go-Go and Soho’s 12-Bar Club, though has now dedicated himself to the studio and film-making.  The live scene’s loss is humanity’s gain, the campaign to make Cholesterol Jones president starts here.

Soundcloud: https://soundcloud.com/cholesteroljones  

Spotify: https://open.spotify.com/artist/6k7mwh5t1p771vkWad10KY

Youtube: https://www.youtube.com/channel/UC_FUIRHFOjIPFNoQbgeBv_Q?view_as=subscriber

Facebook: https://www.facebook.com/CholesterolJones

Twitter:  https://twitter.com/CholesterolJone

Instagram: https://www.instagram.com/cholesteroljones/

Website: https://cholesteroljones.com/

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Whiskey + Rock’n’roll = Albino

It’s common knowledge that most rock bands like to indulge in a little alcohol therapy from time to time, but vintage folk-rockers Albino perhaps enjoy this more than anyone else, fuelling their rock’n’roll sound with whiskey.

Labelling themselves as ‘London’s greatest alcoholic garage rock band (probably)’, four piece folk-rock band Albino are on the road to releasing their latest album, Night At The Chemist, from which their new retro-infused single, ‘Belinda’, is taken.

‘Belinda’ could be straight out of the 60s with its organ-led sound and noodling guitar solo, whilst lead singer and guitarist, Ben Tucker’s vocals power the track (along with the whiskey) in a rather amusing narrative which is mirrored in the video through the beautiful medium of lego.

Since their inception in 2005, Albino has undergone a musical metamorphosis, travelling a long way from their humble beginnings, but now, the off-the-wall band has cemented their style and truly found their own sound. Whilst Albino’s eclectic and multi-talented musical line up has changed over the years, their musical direction, commitment and energy has always remained constant.

As the band have stated: ‘We may not change the world with our music, but we’ll definitely leave a scar.’

 

Links:

https://www.facebook.com/Albinomusic/

https://www.youtube.com/channel/UCYeh0Lung8nhaCa1Zb5W8cw

http://www.albinomusic.com/index.php

Warsaw Radio: ‘After Eve’

Brighton based band, Warsaw Radio (W.R.) are back with their latest single ‘After Eve’ which takes on the unique perspective of Adam in the story of Adam and Eve.

These days, the topics that artists base their songs on in popular music can be very banal and dull; the same old songs about unrequited love and heartbreak. However, whilst ‘After Eve’ does focus on a couple, it goes one step further, imagining what it would be like if Adam and Eve had been separated after being banished from the Garden of Eden.

With original starting points and imagination for writing their songs, Warsaw Radio already have one up on other artists, before you’ve even listened to the music. The band create a folk-inspired blend of rock-pop that distinguishes itself with a classically orchestrated edge. The warm and emotive vocals of front-man, Brian McNamara, combine with the rich instrumentation of soaring string sections and well-crafted songwriting, making for a unique listening experience.

The name of the band has a particularly interesting origin and stems from when Brian was reading about the siege of Warsaw in 1939. Throughout the whole siege, the Warsaw Radio orchestra continued to play their music until their transmission mast was destroyed by an artillery shell. Their determination really truly influenced McNamara who said: “The story really inspired me. Working as an original artist in what can be a tough industry can be hard and having an inspiration like these guys in 1939 helps to keep you going”.

 

Links:

www.soundcloud.com/warsawradio

www.facebook.com/warsawradio

www.twitter.com/warsawradio

https://www.youtube.com/channel/UCewwSB_EMjEUjztuaPKNFJg

www.warsaw-radio.com

 

‘Love Songs For Scarlett’: Debut EP from Tuffet Bunnies

‘Love Songs For Scarlett’ is the debut EP from Los Angeles based folk musician Clem Darling, who is otherwise known as Tuffet Bunnies.

The debut EP from the folk artist is a collection of love songs (as you can tell from the name) dedicated to Darling’s circus performer girlfriend.

Clem describes the songs as though ‘they’ve been  written by a bunch of gypsies that popped out of the back of a caravan’ and if that isn’t a reason to listen to the EP then I’m not sure what is!

Darling’s grandmother was always the biggest fan of his work, but the holocaust survivor sadly passed away recently. However, Clem continues to write honest, charming songs in the same manner that pleased his grandmother.

Since playing in garage-rock bands and performing with the likes of Jucifier, Two Cow Garage and Carson McHone, Darling has moved away from this genre in favour of his new folk-rock-pop sound.

Find out more on Tuffet Bunnies here:

Links:

https://www.instagram.com/tuffetbunnies/

https://soundcloud.com/tuffetbunnies

https://mobile.twitter.com/tuffetbunnies

 

 

Track review: ‘The Gone-Away World’ by Gerald Clark (The Great Divide)

Gerald Clark’s ‘The Gone-Away World’ is exactly the the kind of track you can imagine would provide the perfect soundtrack to a deep and meaningful film.

Honest lyrics and clean piano tones combine with pure vocals to create an evocative and thought provoking track that becomes even more emotive upon the introduction of the string section, which adds a sense of epic-ness to the track that one might compare with the likes of Elbow.

Held together by a simple drum beat, ‘The Gone-Away World’ Clark demonstrates simplistic songwriting at its best, where the lyrics and their meaning can take centre stage, rather than being overshadowed by the music.

The track, along with the other two on Clark’s Ibrahim EP, explore the feeling of being caught up between the ‘old world’ and the new, yet feeling a kind of loyalty to the traditions of the past and being unable to fully embrace the value system of the present.

Find out more on Gerald Clark here:

www.thegreatdivide.co.uk

https://twitter.com/greatdivideuk

https://www.facebook.com/thegreatdivideuk/?fref=nf

https://soundcloud.com/geraldcmin6

Progressive Indo-Celtic rock group Joe O’Donnell’s Shkayla to release Christmas single ‘Noel Nouvelet’

photoFuelled by five instrumentalists, Joe O’Donnell’s Shkayla blend Celtic, jazz and Indian musical influences to form a completely unique sound for their single ‘Noel Nouvelet’ released 7th November.

 Check out Shkayla live below…

Gaodhal’s Vision live trailer:

After staging and producing ‘St. Patrick Goes To The Punjab’ at Albany Theatre, Shkayla are returning to headline Asian music and dance event ‘Fire and Light’. It’s expected that O’Donnell will be using his self manufactured 8 string Ceramic violin, giving the group that unique combination of mediaeval English and Indian music.

In the past the four musicians have worked alongside artists such as Rory Gallagher, Thin Lizzie and Terry and Gay Woods